English Sonnet Definition Essay Example

English Sonnet Definition Essay allusion reference to a person, place, even, thing that is known from science, religion, history, myth, culture. apostrophe a figure of speech in which the speaker addresses an absent or dead person or even an abstract quality or non-human as if it were present and able to respond. Metaphysical poets term applied to poets like Donne or Herbert and other 17th century poets who wrote in a deliberately difficult and abstract style. conceit an elaborate figure of speech that makes a surprising connection between two seemingly dissimilar things. metaphysical conceit a particularly startling conceit. incongruity lack of agreement, consistency, harmony. paradox a statement that seems to contradict experience but which may actually be true. wit a quality in speech or writing that combines verbal cleverness with deep insight. Lyric Poetry poem, often short, that has the form and musical quality of song; it is characterized by the song-like outpouring of the poets thoughts and feelings. Cavalier Poets characterized by; wit, short lines, precise language, charm, main themes; love, honor and time. Petrarchan abba abba cde cde rhyme scheme. (octet and sestet). Octave first eight lines of a sonnet. Sestet last six lines of a sonnet. Volta (turn) the turning point in the sonnet. (usually between the octet and sestet or between the last quatrain and the couplet). Shakespearean abab cdcd efef gg rhyme scheme. (4 quatrains and a couplet). Quatrain a four line unit in a sonnet. Couplet sums up or comments on the previous 12 lines of the sonnet. Sonnet a verse form consisting of 14 lines with a fixed rhyme scheme. Carpe Diem seize the day can be emphasized in poem.

Village by the Sea Essays

Village by the Sea Essays Village by the Sea Essay Village by the Sea Essay their hut the only hut in the village were you can hardly see any smoke to be curling up from under the cocking pot. Nevertheless, he was thinking of something bigger. He is having a dream in mind which is to change the course of his life, he is having this stamina to work all day long in order to survive. On hearing about the construction of a new factory, Hari became hopeful that this could bring him luck. He dreamt of working in this factory although he doesnt have the skill to join it. However, he insisted on working saying A job, a factory, many jobs, many factories, jobs factories. All what he was thinking of is Could he work in a factory and earn money. Hari suffers from poverty, misery and need. There was nothing to eat with the chapattis but a pinch of salt and few green chilies Lila had picked from a bush near her hut. He couldnt afford to buy his sisters sweets as he has no money. This feeling towards his reckless father is quite obvious May be a poisonous snake will bite him, then he would die he said it with hope, as he believes that his father is absolutely responsible for this kind of life he and his sisters are living in, He doesnt look after us,Hari said spitting out the end of a very sharp chapatti, we look after ourselves, dont we? He wishes to leave the village one day, he regards it as a prison that ties him, he never hides his feeling towards his village or his life saying When he thought of all his troubles, his drunken father, Mr. De Silvas insult, the lake of work and money. Hari wished he too could soar up into the sky and disappear instead of being tied to the earth here. Hari dreamt of escaping from Thul. He has tried every possible opportunity there, he worked as a farmer, fisherman, coconut collector, and much more, he even served Mr. De Silva for few pennies. That sense of despair which overwhelmed Hari, never allowed him to feel the blessings that he has, this feeling which he started to realize after going to Bombay. Hari regarded Bombay as a land of dreams. He thought that his dreams could be attained there. When he was talking to the watchman, he was enthralled by this city, city of lights and gleams. He wanted to run away thinking that he may change his fortune there. Hari thought of Bombay as an outlet, everything he wishes for could be accomplished He would have to go to Bombay. Bombay was a great city, a rich city, a city crowded with people who had jobs, earned money and made fortunes.He had to get there somehow.How? . Bombay to him was a shun from his desolation Debt, debt, debt, father always in debts because of toddy. He would get away, He would go to Rewas, to Bombay, and never come back to this sad house, his frightened sisters, his ill mother He could leave them and run, run as far away as he could go. Nevertheless, when he reached Bombay, all these aspirations were shattered, Hari was devastated to discover that the streets of Bombay are not paved with gold as he had anticipated. He comes to know that Bombay is not a white castle made of sand, or salt, blinding against the hot blue sky. On closer inspection, he now sees it as a dirty, smelly and noisy as if the traffic in the world had met on the streets of Bombay hooting and screeching and grinding and roaring past. Hari has to walk slowly and carefully down to pavement to avoid all the filth that was scattered on it, it is in piles Haris experience in Bombay made him realize how he ungratefully undermined his village and his family. He now comes to know how valuable theyre. He acknowledged that although he works and earns money that could provide him a worthy living, yet he now becomes confident that he cannot stay in this place for good. His nostalgia for his home and his village gave him the power to work harder in order to ensure a better living for his family. Moreover, he is now confident that he would go someday to Thul. Hari finds himself struggling more in Bombay He would had fallen ill from lack of sleep if he hadnt one night got up and gone to sit on the pavement because it was a degree cooler..than the eating house.He was disappointed to find that he is living among the orphans in Mr. Jagus restaurant and feels now blessed that he is having a family who as he said one was a drunkard and the other an invalid-and a home , a proper home not just a place on a railway platform. However, the hardships that faced Hari in Bombay never thwarted him, on the contrary it strengthened and encouraged him to be better as well as showed his persistent nature as a man. His journey to Bombay was indispensable , it has revealed so many facts for him ,among which is the importance of having a family not just a close family bu t a bigger family presented in Thul itself, the only place which he felt could embrace him and endure him. Haris feeling of belonging never flourished except in Bombay, he realized that he cant live neither without his sisters and father and mother ,nor without the villagers or the nature who were true companions to him He thought of the sails one saw along the horizon, lights of the boats by night He thought of the crows picking up the crabsand gulls swooping along.the herons standing stock still on a stone .How he longed for them all. Its this place that he belongs to not the city as he discovered that he doesnt want to be a city boy. Hari now is a mature boy, a capable one, a boy who can change circumstances around him in order to live. He knows now that he cant soar up into the sky because we are here on earth ,we cant leave it. We must live here somewhere. He is now able to cope with his new life and find himself a way out of poverty and starvation , he is as Mr. Sayyid Ali has described him You are going to give up your traditional way of living and learn a new way to suit the new environment that the factory will create at Thul so as to survive. Yes, you will survive. This is true, Hari has learned how to survive and the credit is given to this journey and the people whom he met Mr. Panwallah and Jagu who taught him how to be practical and ambitious as well as confident. Finally, Anita Desai managed to create a fabulous picture of a devastated boy who has succeeded due to his strong will and determination to conquer the toughest possible situations and to get not only one but two jobs and many friends.

Insanity and Diminished Responsibility Essay Example | Topics and Well Written Essays - 1000 words

Insanity and Diminished Responsibility - Essay Example abnormality of the mind ( R v Byrne ); drug personality disorder (Celebici Trial); involuntary intoxication ( R v Galbraith) ; mental weakness and low intelligence ( Lord Dea's decision ) ; minority ( R v Raven ); physical deformities such as blindness and being a deaf-mute ( R v Pritchard). In the treatise "Partial Defences To Murder" more mitigating factors are added i.e. sufficient provocation by the offended party ( R v Smith ); immediate vindication of a grave offence to himself or his relatives (Table 7); Incomplete self-defence where there is no reasonable necessity of the means employed by the culprit (R v Martin); passion or obfuscation (Case 113); disease or injury (Note 17); jealousy, mercy killing, depression, relationship of victim to the accused (Table 7). The list goes on and on. Insanity is a plea or defence by which the accused at the time of the commission of the act, "was laboring under such a defect of reason, arising from a disease of the mind, as not to know the nature and quality of the act he was doing or, if he did know it, that he did not know that what he was doing was wrong (The M'Naghten Rules). Insanity totally exempts the culprit from criminal liability unless he does it during a lucid interval. If so, he is wholly liable for the crime unless there are mitigating factors attending the crime. Diminished Respons... 2 Diminished Responsibility is defined as a plea or defence in which the accused at the moment of the commission of the crime suffers from some "form of mental unsoundness or mental aberration or weakness of mind", so much so that his "mind is so affected that responsibility is diminished from full responsibility to partial responsibility" ( HM Advocate v Savage). Comparison and Contrast 1. Both insanity and diminished responsibility are mental states. In insanity, there is a mental disorder or a mental disease which causes the deranged person to be deprived completely of reason, discernment or freedom of the will at the time of the commission of the crime. In insanity, there is an absence in the agent of crime of any of all the conditions that would make an act voluntary. On the other hand, in diminished responsibility, there is a mental debility or aberration of the mind or a temporary mental capacity or a temporary mental impairment (Scottish Law Commission 2). Here, there is some degree of reason, discernment or freedom of the will albeit such is beclouded and weakened by the presence of any of the mitigating factors hereinabove mentioned. 2. Insanity totally exempts the offender from criminal liability because the insane person is totally deprived , at the time of the performance of the crime, of discernment or reason or intelligence and is unable to distinguish between right or wrong. In diminished responsibility, as a rule, there is no exemption from criminal liability but there is instead a mitigation or extenuation of criminal responsibility

Economics Assignment Example | Topics and Well Written Essays - 250 words - 6

Economics - Assignment Example With customs preference agreement, countries that sign the agreement are assured of preferential customs levels unlike countries that are not part of the agreement. Under an economic union, economic policies are integrated for member countries. This means that members of an economic union enjoy the same trade policies as well as unified economic regulations and policies. A common market takes a customs union a step further to account for eliminated barriers when it comes to the movement of factors of production. Finally, political integration combines most or all of the above discussed trade agreements. Jagdish Bhagwati supports free trade agreements and subsequently connects them to the welfare of the society. He argues that free trade agreements translate to better living standards unlike trade barriers, restrictions, or sanctions. Moreover, Jagdish Bhagwati contends that social and environmental issues are better addressed through free trade agreements. In other words, Jagdish Bhagwati supports the concept and practice of free trade agreements in almost every aspect of the contemporary global

The Guardian Building, Detroit, Michigan Research Paper

The Guardian Building, Detroit, Michigan - Research Paper Example Detroit is credited with the best paintings and the best painters like Graham Beal, Julie Mehretu and Jane Hammond. In Detroit, the Detroit Institute of Arts also has a wide collection of paintings which hail from all corners of the world consequently making Detroit an art attraction city. It is reported that Detroit owns more than 100 art galleries which showcase the talent and creativity of the people of Detroit (Uhr, 4). Painting being is one of the major aspects of art that has been vividly exploited by the people of Detroit. Due to this, this paper will explain the recent and old art of Detroit with a main focus on paintings around its metropolitan area. Paintings in Detroit The Detroit area hosts a wide range of paintings safely kept in galleries, museums, schools and famous buildings with some of the oldest and famous painters credited for the beautiful works. One of the oldest painters in Detroit was Diego Rivera who painted twenty seven wall paintings. His paintings featured the traditional Mexican culture which resembles the indigenous Indian culture (Scripps, 54). It is evident that art was used to express the heritage and culture of a people. Moreover, Diego Rivera’s work also included wall paintings or murals of the Ford Company at the start of making of the fuel propelled engine (Scripps, 147). He painted workers at the industry working with big machinery inside the Ford Company making the engines. This was a great monument which until today holds the memory of the beginning of the petrol engine designing. On the walls, Rivera painted murals with varied expressions from the cultural traditions of the Mexican people to the industrialism if the American nation (Scripps, 97). They were considered his greatest success which depicted the industrial and technological revolutions that were taking place around the nineteenth century. It is also evident that painting as art also stores the memories and events that were take place at a certain time I n addition, Thomas Cole in 1845 and 1847 painted one of the most extraordinary pieces of the view of lakes and peaks at sunset (Richardson, 57). This was a great painting which attracted attention from the greatest collectors in Detroit. It was finally stored in the Schwartz Galleries among other paintings done by Thomas Cole. In his paintings, Thomas Cole expressed nature at different views clearly exploring the diverse natural attractions of Detroit. This explains that art is also used in the expression of certain natural phenomena. This led to increased tourist visitations and further enhancing the art of the Detroit people (Downs, Rivera & Kahlo, 57). Other inspiring and talented painters have also hailed from Detroit. Particularly, Patricia Hill Burnett (Siler) a lady who was born in Brooklyn moved to Detroit with her mother and started professional portrait painting (Beal, 21). She is credited with some famous paintings including the painting of the Philippines President Coraz on Aquino in her presidential palace in Manila, the portraits of Margaret Thatcher, Max Fisher, Jackie Joyner Kersee and Indira Gandhi. Another artist who was very talented is Shelden Iden, who is credited with beautiful works of himself, and the inspiring paintings of the great Indian caves using the light rays that were streaming through the cave openings. Robert Wilbert, another painter based in

Risk And Uncertainty When Entering A New Market Economics Essay

Risk And Uncertainty When Entering A New Market Economics Essay When entering a foreign market for the first time, a firm will be faced with many unknowns. Distinguish between the concepts of risk and uncertainty when a firm is entering a market of your choice. Give examples of types of risk. INTRODUCTION This paper will examine the concept of foreign market incursion by domestic business entities. It will analyse the risks associated with and probe uncertainties inherent in globalizing the local business. The market of choice used in this paper is the entertainment industry in general and the music industry in particular, with a special focus on the music industry in sub-Saharan Africa. The paper will begin by defining key terms used and then give a broad background of international business and globalisation. The paper will then narrow its focus to the business context within which it will define risks and uncertainties. Each type of risk is expounded upon within the context provided and a conclusion made. DEFINITION OF KEY TERMS Credit Risk: (also called default risk) the risk of non-payment or uncertainty associated with payment of financial obligations when they are due. Foreign Direct Investment (FDI): Any investment abroad in which the company being invested in is controlled by a foreign entity or corporation. Foreign Exchange Risk: The risk of loss or money depreciation through change in currency exchange rates between the host country and country of origin of foreign investment. Interest Rate Risk: Uncertainty associated with changes in interest rates. Location Risk: These are spillover or contamination effects created by challenges or problems specific to the region in which a country is in. Piracy: The act of misuse of other peoples intellectual property. Pirate: Someone who uses anothers intellectual property as if it were his own. Political Risk: Actions by groups of people or governments which have the potential to affect the immediate or long term viability of a firm. Price Risk: Uncertainty associated with potential changes in the price of an asset cause by changes in interest rate levels and rates of return in the economy. Pure Risk: The type of risk which only offers the potential for loss but never results in gains. Risk: The likelihood of an occurrence of an outcome which is disadvantageous or harmful. Sovereign Risk: This is the risk that the government or one of its agencies will refuse to honour agreed terms of a loan agreement whenever the situation makes it arduous or undesirable for it to pay. Speculative Risk: The type of risk which offers both the potential for gain and the potential for loss. Systematic Risk: Risk which influences a large number of assets and which are impossible to prevent such as political events or acts of nature. Also called market risk. Talent: Someone with an exceptional ability. Uncertainty: The quality of human knowledge or information concerning risk. Unsystematic Risk: (Specific Risk): Risk which affects a very small number of assets or which is specific to a company such as a lockout at a recording studio. Visibility: The level of exposure to public scrutiny offered by such factors as a good marketing strategy. INTERNATIONAL BUSINESS AND GLOBALISATION The term international business is concerned with the exchange of goods and services between individuals, groups and organizations in two or more countries. It includes all cross-border transactions between nations with commercial or political value, both by government and by private entities. Although globalisation is a complex construct to measure, it is widely acknowledged that much of the worlds business is either crossing borders and becoming global, uses imports in its manufacturing and/or supply or competing with foreign products in the same industry. Globalisation is a force that simply cannot be ignored. For purposes of clarity and due to differences in academic opinion on the subject, a working definition of globalisation for this paper will be derived from Hamilton and Webster (2009): Globalisation involves the creation of linkages or interconnections between nations. It is usually understood as a process in which barriers (physical, political, economic, cultural) separating different regions of the world as [sic] reduced or removed, thereby stimulating exchanges in goods, services, money, and people (Hamilton Webster 2009, p.5). The concept of globalisation acknowledges a world evolution into a global village where activities in one part influence and have marked significance over those in other parts in a short space of time (Katsioloudes Hadjidakis, 2007 p.366). Rapid technological advancement has undoubtedly improved connections between countries by expanding telecommunications, transportation services, government operations and general enterprise. There are, however, both strengths and weaknesses to be derived from the inexorable advancement of globalisation. Supporters of the concept argue that globalisation has brought about amazing dividends including a sharp fall in poverty; improved global health evidenced by an increased global life expectancy and a drop in infant mortality; a rise in global literacy; and an unprecedented wave of democratization (Ã…slund A Dabrowski M, 2008 p.3). THE CONTEXT THE MUSIC INDUSTRY The music industry is a blend of producers, promoters, talent, the musical art form, the product format and modes of distribution. Unlike in Western nations where big production studios such as SONY BMG, Motown Record Company, and Arista run the industry through music production, record sales, publishing and related merchandise, in many sub-Saharan African countries, the producers are entrepreneurs who more often than not exploit young and inexperienced talent to turn a profit. Returns to the local industry have been handicapped by piracy and the inability or unwillingness of governmental structures to protect intellectual property in itself a reaction to the growing rates of youth and graduate unemployment. The music industry in the region has therefore experience limited growth until recent years. Today, advancement in music production technology, the internet, and the influence of multinational enterprises such as telecommunications giants like AIRTEL and MTN are reshaping the musical culture through intense exposure and multi-faceted advertising campaigns promising to deliver new and exotic musical forms to a global market characterised by quick and ready consumption for innovative and new products. Through this economic globalisation, a new musical culture is emerging, and relatively unexposed classical and contemporary musical art forms in sub-Saharan Africa are beginning to enjoy global exposure. The advantages which the music industry in Africa has to offer are in the uniqueness of the product offering, the vast array of products or individual artistes with individual music and dance styles, and the novelty of the African experience. The Product Life Cycle (PLC) theory explains that the growth stage of international products is characterised by fast growing demand. From an analysis of the music industry in Africa, one could argue that it is rejuvenated into a growth phase in a new product cycle. There is evidence of demand for the new African musical product from such groups as Africans in the diaspora, African Americans, and art lovers from diverse cultural backgrounds. This can be said to be the justification behind the consistent exchange of musical artists between Africa and the West in corporate promotions of international telecommunications giants including Airtel, MTN, Orange and Safaricom in several sub-Saharan African countries. One could similarly argue that since the election victory of Barack Obama, the first US president of African parentage, African American entertainment moguls wishing to identify with the motherland have been creating opportunities for more interaction between Africa and North America in music and film. Film and music festivals such as the Zanzibar International Film Festival (ZIFF), African movie Academy Awards (AMAA), the MTV African Music Awards (the MAMAs), have been consistently attended by American stars of African descent in an effort to increase the involvement and presence of the American entertainment industry (a global leader in the field). Other Awards in the north such as the Music of Black Origin Awards (MOBOs) and the Pan African Film Festival (PAFF) have been striving to acknowledge and recognise African talent in order to spread awareness of the budding industry. One of the reasons why organizations engage in international business is to minimize risk by securing their product in a market with an expanding economy or to counter the strategies of competitors (Daniels, Radebaugh, Sullivan, 2009, p.60). When establishing operations abroad, however, a company also exposes itself to certain types of risk. In making an incursion into a foreign market, music businesses are often faced with several unknowns which are highlighted under types of risk. RISK AND UNCERTAINTY Both risk and uncertainty are factors which inherently influence corporate, strategic and tactical decision making in firms. Risks are calculable or known premises of the probability of having an undesirable outcome. They are a combination of the probability of occurrence of hazards and the magnitude or impact of their likely consequences. People who make decisions always have a certain level of knowledge about risks they take. The music producer, for instance, understands the risk of piracy in his immediate environment and the impact it may have on his ability to turn a profit from the music business, or he may understand the risk taken on investing in and promoting hitherto unproven talents in the industry based on mere intuition. The tolerability of risk is the willingness of a subject to live with a certain level of risk in exchange for some certain benefits. While the risk of competing with pirates who have minimal production and set-up costs may be high, the trade-off is often industry visibility for the product which enables the producer or label to get beneficial contracts for live and sometimes international music events. Further risks faced by the music industry in an effort to globalise are outlined below under risks faced by the industry. Uncertainty, on the other hand, is the situation in which the decision maker has no precise knowledge of the probability of occurrence of different states of outcome. The decision maker, in essence, has no predictive knowledge of the probability of any form of outcome. The music producer may be largely uncertain whether his or her product or talent is suitable for a market which has a different cultural context which may include a language barrier. He will also probably be uncertain about whether there will be a terrorist attack (a political risk) at any one of the shows organised for the benefit of promoting his talents abroad, even though he may be warned in advance of the risk of a cyclone and other forces of nature. TYPES OF RISK Risks may be typified along several different and distinct lines but due to volume restrictions and for the purposes of this paper we shall be examining the typologies listed below: Country risk Political risk Transfer risk Economic risk Foreign exchange risk Location risk 1. Country risk All businesses which transcend borders become exposed to a certain measure of risk which is not present in their domestic activities and transactions and these are known as country risks. In the narrower view of the concept, country risk is defined as à ¢Ã¢â€š ¬Ã‚ ¦ risk that a country will not be able to honour its financial commitments (Katsioloudes Hadjidakis, 2007 p.185-6). In the broader context, however, country risk analyses are general aggregates of sub-risk factors present within the country. They may be calculated and form the basis on which to determine the desirability of choosing a country upon which to invest. For instance, countries which favour external investments and remove restrictive trade barriers are normally considered to be safe ground for foreign direct investment. By and large many third world countries like those of sub-Saharan Africa have not got the best end of the globalisation bargain (Waters, 2001 p.45) Due to usual high levels of uncertainty, country risk is not always easily calculated. However, some practitioners calculate country risk by dividing it up into sub-categories of risk which are then aggregated. These usually include: political risk, economic risk; transfer risk; foreign exchange risk; location risk; sovereign risk. According to current country risk ratings, Norway as the country with the least risk for investment (http://en.wikipedia.org/wiki/Country_risk). 2. Political Risk Political risks include all risks associated with the actions of government especially those to do with the legal dimension, relationships between countries, and security of investments. As with every other facet of business, political risks influence the music industry and the feasibility of globalisation. The African music and entertainment industries desire to move into Asia and North America because of the influence, technology and financial pull of Bollywood in India and Hollywood in the USA. Countries such as Pakistan, Afghanistan, Iraq are not ideal destinations due to political turmoil and the potent risk of loss of life, property or investments there. Other countries with an Eastern or socialist inclination are not attractive to those with capitalist orientations. In order to avoid fallouts of a political nature in investing in a global music enterprise, those in the African music industry simply need to do some country research to acquire relevant information about political stability and diplomatic relations between the country of potential investment and the country of the investors origin. There are a variety of web-based services which offer information on countries via country reports. The probability of travel restrictions barring temporary immigration or work based travel and visa denials due to stringent conditions are also elements of a political nature whose risks need calculation before any major investment can be made. 3. Transfer risk Sometimes the country of an individual who borrows money in an investment restricts the ability of people in that country to buy foreign exchange. The impact of this is that the borrower may not be able to meet his/her obligations to repay in foreign currency the currency of the borrowed amount. The risk of this occurring is normally known as transfer risk and because of the role of government in this type of risk; it is also a type of political risk. This risk is mostly present in countries where democracy is not the system of government. 4. Economic Risk Economic risk in the context of globalisation is the risk that the investment will be economically unsustainable. Variations in different financial inputs and outputs of the enterprise need to add up to ensure that the risk of fallout is checked. In the music industry, when the investment in an artist in terms of publicity and promotion, training and logistical costs are predicted not to be able to be offset by predicted future sales from the work of the artist, then it can be said that the economic risk is too high and it is not a good or advisable investment. 5. Foreign Exchange Risk This is also known as exchange rate risk or currency risk. It is the risk of change of the value of an investment due to fluctuations between exchange rates of the currency of the investor and the currency of the host country for the investment. The possible adverse effect of foreign exchange risk is that the investment may become more expensive as a result of unprecedented changes in currencies which are outside the control of the investor. A music producer who invests in a product for sale in a foreign market will be happy if the value of the foreign currency appreciates against the value of his local currency as that would mean increased profits for him. The foreign exchange market is highly volatile and predicting the direction of foreign exchange movement a guessing game. Many foreign buyers prefer to avoid this risk by trading in their local currency. 6. Location Risk Location risks are risk factors associated with the political neighbours of a country or region. Certain states in North America which border Mexico are affected by illegal immigration and have concerns to do with illegal migrant workers; the political dynamics of such countries as Tunisia affects that of similar or neighbouring countries such as Egypt and Libya as evidenced by the recent revolts (in the first quarter of 2011). RISK RETURN TRADE-OFF The risk-return trade-off principle holds that low risk levels are associated with low potential returns while where high risks exist; the possibility of high returns looms large. This is why even when the country risks are great, firms may decide to take on the challenge of investing nevertheless, often prompted by the need to defend against the prospect of the companys competitors taking the initiative. For example, in the music and entertainment industry, many North American artistes used to shun the Middle East as a suitable showground due to the notion that Middle Eastern ideologies and Islamic values predominant in the culture there were inconsistent with the entertainment requirements of unrestricted freedom of expression. However, in an unprecedented turnaround, Middle Eastern cities such as Dubai are fast becoming a favourite of artistes since big artists like Michael Jackson took the plunge of tapping into the market in the 1990s. OTHER RISKS FACED BY THE INDUSTRY Polycentrism may influence the art form of the music talent. Polycentrism works through the belief of foreign business units of trying to act local. Artists and producers are often strongly influenced by the local culture of the foreign environment of investment by sub-elements of personality including the language, dressing, use of available musical instruments and technology, and the musical art itself. Socialization of this nature may cause irreparable modification to the art they offer and the image they normally portray, a product exported for its original nature. This may later influence the potential of the talent to remain intellectually authentic the musical talent in some instances may be accused of no longer sounding African or of losing authenticity. SUGGESTED STRATEGY OF INCURSION INTO THE FOREIGN MARKET Based on the factors examined it is advisable for investors in the music industry to seek partnerships with foreign counterparts in selling the unique products of African traditional and contemporary musical art in a globalised setting. Just as local food is internationalised by countries such as Italy, Japan and the US in entities such as MacDonalds, single entrepreneurs can expand the musical product in clubs which offer African musical content with renewable, trainable talent acting as the products on offer. The risk from competition, while challenging, helps organizations focus their energies on quality strategies of survival or market expansion. Due to the challenges inherent in integrating into a foreign market, foreign firms must enhance the process of their integration into local markets as a matter of necessity. This can be done by recruiting locals and learning the language and culture (Daniels, Radebaugh, Sullivan, 2009, p.505) among other integration strategies. CONCLUSION The paper has outlined the concepts of risk and uncertainty in the global arena within the context of the incursion of a local business. The sub-Saharan African perspective has been brought to bear on the analysis. The paper highlighted the difference between risk and uncertainty showing their relationship to one another and giving examples on each of the concepts. The paper has also looked at ways in which a firm in the music and entertainment industry may benefit from globalisation. Comparisons were made between the African music industry and other globalised franchises in the world such as MacDonalds in suggesting a useful model which may be simulated.

A World of Guilt Essay -- essays research papers

A World of Guilt   Ã‚  Ã‚  Ã‚  Ã‚  All human beings will, at some point carry some amount of guilt with them. Whether they could have prevented what happened or not, humans tend to carry guilt. Hester Prynne will forever carry the guilt of committing adultery. This is shown when Hawthorne writes, ?Here, there was the taint of deepest sin in the most sacred quality of human life? (53). In his novel The Scarlet Letter, Nathaniel Hawthorne writes about sin and hypocrisy by describing the trials and tribulations of Hester Prynne. Hawthorne wants the readers of his book to dig deeper into their own thoughts and beliefs and examine if they themselves are hypocritical in daily life.   Ã‚  Ã‚  Ã‚  Ã‚  Hester shows throughout the book that she carries a great deal of guilt. Hester refuses to give the name of her lover in an attempt to shield him from her grief. She shows this early in the book when she says, ?I will not speak? (64). She also tries to conceal the name of Pearl?s father to shield him from guilt. Hester tells the crowd at the scaffold that her child will not know her father when she says, ?And my child must seek a heavenly Father; she shall never know an earthly one!? (64).   Ã‚  Ã‚  Ã‚  Ã‚  Hester bears her guilt in a variety of ways. First she pampers her only treasure, Pearl. She wants the focus of peoples attention to be on Pearl, which she shows when the story states ?Her mother, with a morbid purpose, that may be better unde...